The Knoxville classical scene is bursting at the seams with events to please a variety of tastes in spite of Mother Nature's efforts. First up is Valentine’s Day, whereupon the Knoxville Opera Company will produce Donizetti’s The Elixir of Love at 8 at the Tennessee Theatre. If your date looks good in galoshes, then I’d say he or she is a keeper. A Sunday matinee will happen at 2:30, for those who will inevitably forget Valentine’s Day– again. Details here.
Speaking of romantic music, in between the two opera performances, a giant among romantic-period symphonies will be performed on Saturday at 7:30 at the James R. Cox Auditorium on the UT campus. Director of UT Orchestras (and KSO resident conductor) James Fellenbaum will lead the UT Symphony in Tchaikovsky’s Fourth Symphony, as well as a pre-concert lecture in Rm. 210 of the Alumni Memorial Building at 6:45. This powerful work is full of tunes you will never stop humming.
The Knoxville Symphony’s Youth Orchestra program is 40! When people hit 40, they tend to wax morose and use terms like “over the hill” and “out to pasture” to describe their lives, but at 40, the KSYO is bigger and more vital than ever, boasting 5 ensembles and 275 young players. There will be two separate concerts; the Preludium, Philharmonia, Sinfonia, and Youth Chamber Symphony will perform on Monday, Feb. 17th at 7:00 at the Tennessee Theatre, and the Youth Symphony will present its Concerto Competition winners on Feb. 23 at 2:30, also at the Tennessee. This year’s winners both are violinists: Ben Parton, who will be playing the finale of Shostakovich’s 1st Violin Concerto, and Daniel Choo, who will perform the first movement of Wieniawski’s 2nd Concerto. (Btw, that’s pronounced “veen-YOF-ski).”
Music of the Spirit will be the guiding light in the February KSO Masterworks concerts, (Thursday and Friday, Feb. 20 and 21, Tennessee Theatre, 7:30) with David Yardumian’s Veni Sancte Spiritus, Symphony No. 2, Mysterious Mountain by Alan Hovhaness (pronounced ho-VAH-ness), and Ernest Bloch’s Sacred Service. Veni is a short orchestral work inspired by the 13th-century plainchant. Hovhaness’ work includes in its finale a “musical tidal wave” evoking Indian raga, and Bloch’s work is the quintessential setting of the Jewish Sabbath morning service. The UT Choral Ensembles and baritone Nmon Ford will combine with the KSO for the Bloch.