Fresh off a successful Q-Series concert on Thursday night with the KSO Woodwind Quintet, principal flutist Ebonee Thomas will bring the Mozart Concerto for Flute K. 313 to the Bijou Theatre, Sunday afternoon at 2:30. Written in 1778, this first of three Mozart flute concerti is known for being the “on-hold” music for the New York City 311 line. You don’t have to travel all the way to “the 212" to hear this, though; just come on down to the Bijou. Also on the concert will be music of Mozart, Mozart and Mozart! If you missed the November Masterworks concert, or even if you didn’t, here is a chance to hear his Overture to Idomeneo, Musical Joke, and Symphony No. 31 in a more intimate setting.
In case you are wondering about what K. 313 means, here’s the scoop. After many attempts to catalog Mozart’s works after his death, Ludwig von Köchel in 1862 arrived at an accurate chronological tally of Mozart’s complete works, with the last work being K. 626, the Requiem. Guess what! The Flute Concerto K. 313 is EXACTLY halfway through the catalog! (626/2= 313; sheesh, I’m such a nerd). Many composers, e.g. Beethoven, have opus numbers to identify their works, but Mozart was so prolific that he probably lost count somewhere around K. 65, and who could blame him? Some composers have had other catalogers for their works, with the first letter of the cataloger’s name as the index. Two examples are Bach, whose works were cataloged by Wolfgang Schmieder, and Haydn, some of whose works were cataloged by Anthony von Hoboken.
The Woodwind Quintet is quite busy these days. They will be performing at the Tennessee Theatre’s Mighty Musical Monday on February 3rd at noon. In addition to the quintet, Bill Snyder and Freddie Brabson will play selections on the Mighty Wurlitzer Organ. Guest MC for the program will be Hallerin Hill. A lunch consisting of a sandwich, chips, and a dessert may be purchased in the lobby for $5.00. In addition several snacks may be purchased at the concession stand such as soft drinks, bottled water, popcorn, candy. There is no charge for the program. The MMM is a long-standing, uniquely Knoxvillian institution, with a very different sort of audience than you would find at a typical KSO concert.
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